There are 33 images tagged with “fantasy”.
A fantasy winter landscape created in Vue. I wanted a winter scene that focused mainly on the landscape but was obviously fantasy. This was also an experiment in working with snow, getting it to sparkle and reflect the light for an “other-worldly” effect. It was an extremely long render on account of all the lights and reflective and translucent surfaces, but I was able to just run it in stops and starts over about a month.
December 21, 2015
Not more than one person in five hundred years finds this tiny island. It doesn't stay in one place very long. But anyone who is drawn to these mysterious lanterns, and comes to get a closer look, vanishes into another world, and never comes back. The question is, do they want to?
December 16, 2015
The celestial orchard where stars and moons are grown. Created entirely in Paint Shop Pro. I'd had the idea for this image in my mind for a while, and finally got around to making it. I got a lot of practice with the pen tool, and these tree shapes might show up again.
December 7, 2015
“‘Down there,’ said Golg, ‘I could show you real gold, real silver, real diamonds.’
“‘Bosh!’ said Jill rudely. ‘As if we didn't know that we're below the deepest mines even here.’
“‘Yes,’ said Golg. ‘I have heard of those little scratches in the crust that you Topdwellers call mines. But that's where you get dead gold, dead silver, dead gems. Down in Bism we have them alive and growing. There I'll pick you bunches of rubies that you can eat and squeeze you a cup full of diamond-juice. You won't care much about fingering the cold, dead treasures of your shallow mines after you have tasted the live ones of Bism.’”
— C.S.Lewis, “The Chronicles of Narnia: The Silver Chair”, Chapter 14, “The Bottom of the World”
December 3, 2015
Frodo and his friends are leaving the Shire secretly by going west into the Old Forest, instead of north to the road. The Forest is reached through a break in the Hedge used to keep the unfriendly trees out of the Shire …
“It had walls of brick at the sides, which rose steadily, until suddenly they arched over and formed a tunnel that dived deep under the Hedge and came out in the hollow on the other side.
“It was dark and damp. At the far end it was closed by a gate of thick-set iron bars. On the far side was a faint path leading up on to the floor of the Forest; but it vanished as soon as it brought them under the trees.”
— The Lord of the Rings, Book I, Chapter 6
November 24, 2015
Someone's up late on this medieval night.
November 24, 2015
“The blue rose means mystery. An appreciation for the enigmatic, the inexplicable is expressed by the blue rose. A tantalizing vision that cannot be totally pinned down, a mystery that cannot be fully unraveled is the blue rose. A person who receives the blue rose is the subject of much speculation and thought. A complex personality that does not allow easy interpretation is what the blue rose indicates.”
“Due to the absence in nature of blue roses they traditionally signify a mystery, or attaining the impossible, or never ending quest for the impossible. They are believed to be able to grant the owner youth or grant wishes..”
This was my first “professional” image created with Vue software. I had tried out the beginner versions of the software (with all the limitations such as size and watermarks that come with that type of software) and decided I wanted to invest in learning this program and making extensive use of it in my future artwork.
November 13, 2015
“Eastward the Barrow-downs rose, ridge behind ridge, and vanished out of eyesight. The sun, a pale and watery yellow, was gleaming through the mist. Even as they looked out towards the setting sun, it sank before their eyes into a white sea, and a cold grey shadow sprang up in the East.”
- The Lord of the Rings, Book I, Chapter 8
I created this with Terragen 3D landscape generation software.
October 2, 2015
“I saw plainly on the path before me … the shadow of a large hand, with knotty joints and protuberances here and there. Especially I remarked, even in the midst of my fear, the bulbous points of the fingers. I looked hurriedly all around, but could see nothing from which such a shadow should fall. I looked, and peered, and intensified my vision, all to no purpose. I could see nothing of that kind, not even an ash-tree in the neighbourhood. Still the shadow remained; not steady, but moving to and fro, and once I saw the fingers close, and grind themselves close, like the claws of a wild animal, as if in uncontrollable longing for some anticipated prey …
“There seemed but one mode left of discovering the substance of this shadow. I went forward boldly, though with an inward shudder which I would not heed, to the spot where the shadow lay, threw myself on the ground, laid my head within the form of the hand, and turned my eyes towards the moon.
“Good heavens! what did I see? I wonder that ever I arose, and that the very shadow of the hand did not hold me where I lay until fear had frozen my brain. I saw the strangest figure; vague, shadowy, almost transparent, in the central parts, and gradually deepening in substance towards the outside, until it ended in extremities capable of casting such a shadow as fell from the hand, through the awful fingers of which I now saw the moon. The hand was uplifted in the attitude of a paw about to strike its prey.”
—Phantastes, by George MacDonald
September 25, 2015
I used Terragen to make this landscape. Since the software didn't allow for any objects, in order to get this castle and bridge I had to shape them out of the landscape as well.
September 8, 2015